Hi Everybody, I get a lot of questions about what to train and when, as well as how nei gong complements in-depth tai chi and bagua practice. So I’m sharing a 30-minute talk I gave on retreat in Crete last year that I hope will help you along your way.
My colleague Dan Kleiman, founder of Qigong Radio, recently interviewed me on the how to get the most from Tao arts training. Dan has a great ability to make connections that help his students to evolve their practice, and I always find it interesting to sit down with him and see what he manages to stir up!
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Although many books on tai chi assign the eight internal energies of peng, ji, lu, an, lieh, tsai, kao and jou to the eight trigrams, they are not manifestations of the trigrams themselves, otherwise bagua—the art form of the I Ching—would employ that methodology. In bagua’s palm changes, all eight internal energies are used in each palm and yet each palm develops the energy of a single trigram.
Likewise, in tai chi, you stream through the eight internal energies as you practise your
form and yet your focus remains on developing the energy of a single trigram. When
practising a form or any section that is highly familiar to you, your focus is placed on the trigram of your choice, the energy behind the symbol. You then attempt to make the jump
and contact that particular primordial energy.
The very fabric of Tao arts is weaved from nei gong threads that intertwine to create the internal structures and external forms of qi gong, tai chi and bagua. The exact same nei gong threads can be weaved in very different ways to generate radically different arts and training results.
However, the nei gong system itself is split into two categories, which yields eight yang and eight yin methods. That is to say each nei gong component naturally develops either the yang or yin qi of the body and, as a whole, every thread contributes to an intimate and delicately balanced lattice.